Movie Projects - Antique Cars In The Movies

One of the reasons movie directors typically do not like working with antique cars on movie sets is because the antique cars often experience mechanical failures from the stress related to movie making. Antique cars often overheat, have hot start problems, dead batteries…and young actors have trouble driving them.

 

Antique Cars In the MoviesWhen an antique car fails to start on the set it is often the result of a dead battery That, is quite common because the antique car will be literally started and moved a hundred times in a single day. To "jump start" a car on the movie set requires the services of three people assigned to that specific job. One on each end of the battery cables, and one inside the car running the ignition switch and starter. Having to jump-start a car on the a movie set will consume at least 30 minutes on a good day if help is close at hand, and more often than not… over an hour is lost.

 

The director may have forty people in costume on the set, waiting to shoot the upcoming scene. Along with the required lighting crew, camera crew, and related support people, it is not uncommon to have a hundred people standing around being paid full salary to wait on the antique car that will not start. In addition…this could be the first day of shooting and the director may have 4-5 more weeks of shooting scenes that require using this same antique car.

 

So… the director is looking for a quick fix for the antique cars. He wants them made reliable enough so they will start on cue and not overheat. The solution should not be two expensive and require a minimal amount of modification.

 

The Fifth Avenue 6-volt alternators and electric radiator cooling fans fit the bill perfectly. They were a simple bolt-on fix, one that required almost no modification to the cars.

 

The alternators along with a few additional tricks learned from preparing cars entered in the Great Race can be applied to the movie studio cars to keep them in good working order, eliminating the need for jumper cables and costly time delays. That makes for a very happy director!

 

--Randy


Devil In a Blue Dress

Devil In a Blue Dress

There were actually two 1946 Pontiacs used in the movie, the nice one Denzel drove during most of the movie, and the ugly one they shot the back window out of, during the movie.

L.A. Confidential

L.A. Confidential

After the success of the Devil in a Blue Dress project, Randy got another referral, this time to the transportation director at Warner Brothers Studio.


Lolita

Lolita

For this movie they were using two restored 1940 Ford Woody station wagons for filming. There was also a partial 1940 Ford body pulled around on a car trailer that was used for many of the static interior driving shots.

Indiana Jones

Indiana Jones

Randy received a panic call from the filming location, it seems that four of the cars a 1950 Hudson, a 1950 DeSoto, a 1950 Dodge, and a 1951 Dodge were all overheating while filming chase scenes.


Fifth Avenue Facts

Since 1987, Fifth Avenue owner, Randy Rundle, has been making antique, classic and special interest vehicles more reliable and fun to drive.